The River is Rising -- Patricia Jabbeh Wesley

One reason that Patricia Jabbeh Wesley’s The River is Rising is interesting is that she is both African (Liberian) and African-American, and she can stand with a foot on each continent.  Her poetry can thus bring together insights and observations from both worlds, and we can see a church service or a landscape in ways that might be alternately familiar or unfamiliar to us, depending on our background.

The thing that captures me about her poetry is the rhythm and pulse created by her repetition and arrangement of phrases.  She does not write verse, but her words are ebullient, and seem to bubble over the edges of the poem.  Simply to say that she uses many resumptive modifiers and absolute phrases makes it sounds like she is just using grammatical tricks, but when seen in action one can understand how she uses these to build energy and flow:

[...]She weeps when she teaches King Lear and his

good-for-nothing daughters.  King Lear, weeping

in the storm, King Lear giving away his fortune

before his death.  My professor wipes her large,

blue eyes when she remembers King Lear. 

I pity my professor who weeps for King Lear,

my professor loves the storm and the rain

and King Lear, caught in the rain [...]

or:

[...] Yes, all the bones below the Mesurado or the St. Paul

or Sinoe or the Loffa River will be brought up

to land so all the overwhelming questions

can once more overwhelm us.

But they are bringing in our lost sister

on a high stool, and there she stands, waiving at those

who in refusing to die, simply refused to die [...]

A number of Wesley’s poems concern her awful experiences in Liberia’s civil strife under the dictator Charles Taylor.   She stands then as a witness to history, even though most of her poetry is made of personal emotion and observation.  Hers is an important role, yet I have to say that I liked much of her other poetry—also made of personal emotion and observation—better.  Poems such as “When My Daughter Tells Me She Has a Boyfriend” (there is tension over whether the boyfriend is black, and whether a mother has a right to ask) and “After the Memorial” (about a student’s death) touch me more.  I’m curious as to why.  Possibly I simply can relate better to things closer to my experience, and civil war is simply too far away; possibly it is just very difficult to memorialize the details of history and not sound like a news report.

Nevertheless, because of her broad range of experience and deft ability with imagery and words, “The River is Rising” offers something for everyone, written with sincerity and passion.

Poem Written From a Single Snapshot

On the beach in Monrovia

my children and I are building sandcastles.

You can see the Atlantic’s waves in the distance,

fighting for a place to roll their way onto shore.

Waves are flapping in the wind

as the tide rises up and down.

Before we know it, we are in the middle of water.

Besie is two years old.  MT, who is only

six months, clings a short arm around my knee.

He’s staring at Besie and the sandcastle

she’s erecting with her right foot.

This is how my mother taught me

to build a sandcastle.

You put your foot down and build mounds around it until

the castle becomes stable.

This is how we search for home.

You put your foot down in a place long enough

that new place becomes home.